Katz Laszlo. Audio – vizuální podcast. Režie Katz Laszlo. Odpovědná redaktorka Katy Lee. Producent Katz Laszlo. Koproducenti We Are Europe; Allianz Kulturstiftung. Vizuální režisér, ilustrace Eddie Stok. Redakční podpora Dominic Kraemer, Andrei Popoviciu, Priyanka Shankar. Projektový manažer vizuálu Mick Ter Reehorst).
Natočeno 2021. Webová premiéra 27. 5. 2021 (European Podcast, 34 min.).
Katalog Prix Europe 2022 uvádí jako datum uvedení 28. 6. 2021.
Pozn.: Původně vysíláno ve zvukové formě v rámci týdenní show The Europeans a později vydáno přes Vimeo jako audio-first, ilustrovaný ‘vizuální podcast’.
Short list Prix Europe 2022.
Lit.: anonym: Josh and Franco. In web European Podcast, 27. 5. 2021 (článek + nahrávka k poslechu). – Cit.: We have a very special episode for you this week. From the south of Italy, a father and son’s coming of age stories, told in parallel.
This is the first episode of our series This Is What A Generation Sounds Like: intimate stories from across the continent, as told by the young Europeans experiencing them. This series is co-produced with Are We Europe and made in cooperation with the Allianz Foundation.
The episodes are all sound-rich audio productions, coupled with a visual interpretation of the story, merged into a new concept: a Visual Podcast. It is a new experiment we are trying out. Starting off with an audio-first story, we combine it with visuals that serve as a guide, accompanying the story through another lens.
Podcast Credits:
Producers: Katz Laszlo and Josh Prezioso
Editorial support: Dominic Kraemer, Katy Lee, Andrei Popoviciu and Priyanka Shankar
Video Credits:
Visual & Motion Design: Eddie Stok
Project Coordination: Mick ter Reehorst
Translation: Giosuè Prezioso
Subtitles: Marco Mingolla
Music:
Tarantella del Gargano by Marco Beasley & represented by Out Here Music; Italian Opera by UV Protection; Andante (Italian Concerto) written by Bach and performed by Catrina Finch; Amore Mio by Mina with Warner Music Italy; Tomb by Veshza; La Luna E Fisarmonica by Ziv Moran; Disco Ball by Evgeny Barduzha, and Jim Barne.
Additional music from Blue Dot Sessions: Kilkerrin by Scalcairn; Sylvestor by One Such Village; Angel Academy by Marc Oakley; Toby or not Toby by Mark Oakley.
SFX from Freesounds.org: Wescwave; GeorgeHopkins; suonidigallipoli; samararaine; cmusounddesign; suonidibologna; wolkenunddreck; ancorapazzo; soundforest.
Thanks for listening! If you enjoy our podcast and would like to help us keep making it, we’d love it if you’d consider chipping in a few euros / dollars / pounds a month at patreon.com/europeanspodcast. You can also help new listeners find the show by leaving us a review.
This podcast is part of the Are We Europe family. Find more like-minded European podcasts at areweeurope.com/audio-family.
Lit.: anonym: Josh & Franco. In Festival Catalogue – Prix Europe 2022, s. 16 (článek) – Cit.: From the south of Italy, a father and son’s coming of age stories, told in parallel.
This is the first episode from our series This Is What A Generation Sounds Like: intimate stories from young Europeans across the continent, and how their personal lives have been shaped by a larger policy or social issue.
For this series, we developed an innovative audio production process where the protagonist was not just interviewed, but the producer worked closely to involve them in multiple stages of production, musical choice and so on. This was both to build on the protagonists’ media literacy and expand on their tools to tell their own story, but also to create a story that is uniquely fully told by themselves, without a host’s narration. For example, the producer and protagonist worked together to write a script, to ensure that the scripted narration worked for the medium of audio but was performed by the protagonists themselves and felt true to their own voice.
Once we had completed the audio version, a visual designer came on board and fully illustrated the podcast, based on the existing story as well as photos and conversations with the protagonist. The result is an audiofirst ‘visual podcast’, which also gives the opportunity for Italian people, local to the setting of the story, to watch using subtitle translation.