Vesna Perić. Rozhlasová hra. Produkce a editor Melina Pota Koljević. Režie Sladjana Kilibarda. Zvukový mistr Milan Filipović. Hudební spolupráce a zpěv Marija Ćirić.
Účinkují Tamara Krcunović, Ivan Tomić, Dubravko Jovanović, Petar Mihailović, Nenad Radović, Nebojša Kundačina, Bojan Žirović a v dětské roli Mirjana Mina Ivanović.
Natočeno 2018. Premiéra 23. 11. 2018 (Radio Beograd 2, 31 min).
Pozn.: Nominace na Prix Marulić 2021 v sekci Drama.
Lit.: anonym: Zvezdani časovi. Vesna Perić: ISIDORA SEKULIĆ – APOSTOLKA SAMOĆE. In web RTS.sr, 23. 11. 2018 (článek + nahrávka k poslechu). – Cit.: U ovoj drami Vesna Perić psihološki i dramski pronicljivo prodire u manje poznati, ali možda najbitniji sloj Isidorine ličnosti, u povezanost između stvarnog narativa njenog ličnog života i njene okrenutosti određenim istorijskim i književnim figurama. Događanja, psihološka, emotivna, lične osetljivosti kojima je njen život usmerio ka određenim temama njene proze pronalazimo u suptilno tkanom tkivu ove drame. Tajanstvena i jaka ličnost književnice, koju su privlačili samo izuzetno jaki umetnički prethodnici i savremenici, postaje jasnija i pojavljuje se pred nama u onom što je nju suštinski odredilo. (…)
Lit.: anonym: Serbia / RTS /Radio Belgrade – Isidora Sekulic- Apostle of Solitude. In web Prix Marulić, květen 2021 (článek + nahrávka k poslechu + scénář v ENG). – Cit.: This fictional drama with biographical elements narrates the inner world of famous Serbian female writer from the first half of 20th century, Isidora Sekulić – a witty intellectual, a cosmopolite She earned a nickname „an apostle of solitude“ due to her ascetic life.
This radio drama with fragmented structure features some of the motives from Isidora’s work – her first collection of intimate prose „Fellow Travellers“ in 1913. and her travelogue „Letters from Norway“. Those recurrent motives – isolation, solitude and contemplation are truly universal yet very rare with Balkan female writers. Isidora’s writings were described as „dance of the words“ by the fellow Croatian poet A. G. Matoš.
This narrative is told from Isidora’s point of view. She suffered from severe headaches which sometimes distorted her perspective. In imaginary level of the story she communicates with the 19th century authors she never met but whose work she admired – Njegoš, August Strindberg and Hans Christian Andersen. She also communicates to herself as a little girl who found her sanctuary in a small wooden barrel in the backyard of her home.